TV Cream

Films: S is for...

Spellbound

Hitchcock drafts in top moustachioed wanker Salvador Dali to paper over the massive cracks in his feather light Bergman-Peck psychiatry thriller with some painted eyeballs and giant scissors, and then scraps most of that. None of which is as silly as the giant murderer’s-point-of-view fake hand and pistol.

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