The unsung artisan of American angst. In an article on visual style, mention ‘frames within frames’. His deft, peek-a-boo camerawork lent a sophisticated sexuality to The Graduate entirely missing from the overhyped full frontal antics of the so-called West End version. Jonathan Ross writes: ‘Mind you, that Linda Gray scrubs up pretty well for her years.’ ‘I’ll drink to that!’
NICHOLS, Mike
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