Theatrical distributor which handled suitably heritage-themed fare such as Lorna Doone, Tom Brown’s Schooldays and The Pickwick Papers, as well as hardboiled fare like The Gelignite Gang, and comedies such as the Joan Collins vehicle Our Girl Friday and the last slew of Arthur Lucan’s Old Mother Riley films, ending with Mother Riley Meets the Vampire in ’52. Among their few original productions was hysterical Soho vice warning ‘Beat’ Girl with Adam Faith. Still operating, out of Rickmansworth, to this day.
