Douglas Livingstone’s sequel/companion to I Can’t See My Little Willie, with lusty, retiring beach photographer Roy Kinnear moving into old chum James Hazeldine’s Margate guest house, making one last play for the birds, and reflecting on the end of an era (both that of the seaside photographer and his own career) by means of old photos brought to life with visual effects. Directed by Alan Clarke.
Everybody Say Cheese
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