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FELLINI, Federico

Always ‘the Master’. Philip French writes: ‘Fellini’s La Dolce Vita marks the consummation of his ‘mature’ style. Gone are the self-conscious neo-realist artifices, to make way for unforced allegory, intelligent social observation and a truly passionate discourse on the decadence of postwar Roman high society. At least that’s what they tell me. I was too busy staring at the knockers on that smashing Swedish bird.’ ‘A delightful precis! And one of which Fellini would have approved, one feels.’

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