SUBLIME filling of the popular-cultural no-man’s-land between Christmas Day and New Year’s Day with a set of short but charming mini-documentaries on a handful of erstwhile childrens’ TV favourites too old to still be ‘on’ but too recent to be properly nostalgised over yet: Tiswas, Play School, Vision On, the Smallfilms ouvre, Crackerjack, an odds-and-ends collection taking in Bill & Ben/Trumptonshire/Fingerbobs/Captain Pugwash/Mr Benn, and most infamously of all, a startling look back at the rivalry between Blue Peter and Magpie, peppered with guarded inter-presenter verbal barbs and hinting at all manner of shadowy The Fourth K-esque management power struggles behind the scenes. No wonder Noakes and Shep were so keen to ‘Go’! Packed to the ‘white void’ studio rafters with original contributors and bizarre anecdotes about stolen Teds, incinerated Mintons, foul-mouthed Clangers, New York taxi drivers shouting ‘COMPOST CORNER!’, ‘baby bump’-concealing scenery, Hamble-torture, Gilliam/Yellow Sumbarine-emulation, Leo Sayer fuming at theft of trademark ‘perm’, hypothermia-afflicted future Doctor Whos, backstage Play School joint-toking, and sticking two fingers up at Noel Edmonds, and with nary a second-rate standup doing that counting an imaginary ‘witty’ list off on their fingers thing in sight, this was – in a very real sense – what they want. Not to mention inspiring someone, somewhere to upload a handful of Fred Harris JPEGs…Read More
Posts Tagged With 'Peter Glaze'
SALUTARY LESSON IN how to piss away the goodwill of an entire nation of kids. First came sedate desks ‘n’ buzzers 60s incarnation with a few muted sketches and the Crackerjack Pencils as prizes (you couldn’t just write in and ask for one, y’know, you had to EARN it!). The sainted EAMONN ANDREWS, PIP HINTON and LESLIE CROWTHER kept things ticking over with the right modicum of underwhelmed enthusiasm. Then came, however, invasion of music hall slapstick courtesy of troupe comprising PETER GLAZE, DON MACLEAN, JAN HUNT, LEIGH MILES, GILLIAN COMBER, BERNIE CLIFTON and hosts MICHAEL ASPEL and/or ED ‘STEWPOT’ STEWART. Stretched credibility – and viewers’ ear drums – to limit whenever gang decided, “spontaneously”, to break out of some sketch or other to reprise contemporary popular song of dizzying unsuitedness, such as Bowie’s ‘Golden Years’ or ‘Something for the Girl with Everything’, originally by Sparks, now by MacLean as he assaulted Glaze with an old boot. Programme as a whole still tolerable, though, until the 80s hoved into view and format was tweaked again to bring us – oh dear God – camp commandant STU FRANCIS. Cue gunge, shouting, irritating meaningless catchphrases (“Ooh, I could crush a grape/rip a tissue/pummel a peach”), The Fucking Krankies, The Great Soprendo (admittedly the one decent bit in it: “See this glass of milk? You see it? Right, you see it? Now it has gone, yes!”), Chas’n’Dave theme (“Lumberjack? No! Steeplejack? No! Uncle Jack? No!”) and dolly bird “assistants” who fed shit jokes to Stu for shit one-liners no kid could possibly understand/find funny (gags about Charles Aznavour for fuck’s sake). They even dropped Double Or Drop. Whole wretched noisy mess mercifully axed by Michael Grade.Read More
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Creamguide's Pick of the Day
It used to be that everyone in Britain went to the same place on holiday every year, and certainly Creamguide did that with its annual jaunts to Conwy in North Wales, where we had many happy times, though the other Christmas we nipped back for old time’s sakes and were amazed we exhausted the town centre in half an hour, and heaven knows how we used to get a week out of it. In this series Len will be taking a celebrity back to some old haunts, every day at this time, kicking off with Dave Myers on the Isle of Man.
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Points of View
- In 'Dukes of Hazzard, The', Austin Maxi says: "Closing titles usually played over a scene of Rosco’s police cruiser chasing the General Lee Dodge Charger round and round some..."
- In 'Life Without George', Austin Maxi says: "‘Everywhere you look it’s two by two, everyone’s got someone, save for you!’ as the theme song told us...."
- In 'Call Me Mister', Austin Maxi says: "I remember that the Australian lead character’s vehicle of choice was a Mini."
- In 'Break in the Sun', Austin Maxi says: "The theme music to ‘Break In The Sun’ was John Renbourn’s ‘Reflections’."
- In 'Six English Towns/Six More English Towns/Another Bloody Six English Towns', Graham says: "Alec was born in 1907 and died in 1985 at the age of 77. He was a great historian and the..."