SUBLIME filling of the popular-cultural no-man’s-land between Christmas Day and New Year’s Day with a set of short but charming mini-documentaries on a handful of erstwhile childrens’ TV favourites too old to still be ‘on’ but too recent to be properly nostalgised over yet: Tiswas, Play School, Vision On, the Smallfilms ouvre, Crackerjack, an odds-and-ends collection taking in Bill & Ben/Trumptonshire/Fingerbobs/Captain Pugwash/Mr Benn, and most infamously of all, a startling look back at the rivalry between Blue Peter and Magpie, peppered with guarded inter-presenter verbal barbs and hinting at all manner of shadowy The Fourth K-esque management power struggles behind the scenes. No wonder Noakes and Shep were so keen to ‘Go’! Packed to the ‘white void’ studio rafters with original contributors and bizarre anecdotes about stolen Teds, incinerated Mintons, foul-mouthed Clangers, New York taxi drivers shouting ‘COMPOST CORNER!’, ‘baby bump’-concealing scenery, Hamble-torture, Gilliam/Yellow Sumbarine-emulation, Leo Sayer fuming at theft of trademark ‘perm’, hypothermia-afflicted future Doctor Whos, backstage Play School joint-toking, and sticking two fingers up at Noel Edmonds, and with nary a second-rate standup doing that counting an imaginary ‘witty’ list off on their fingers thing in sight, this was – in a very real sense – what they want. Not to mention inspiring someone, somewhere to upload a handful of Fred Harris JPEGs…Read More
Posts Tagged With 'Peter Glaze'
SALUTARY LESSON IN how to piss away the goodwill of an entire nation of kids. First came sedate desks ‘n’ buzzers 60s incarnation with a few muted sketches and the Crackerjack Pencils as prizes (you couldn’t just write in and ask for one, y’know, you had to EARN it!). The sainted EAMONN ANDREWS, PIP HINTON and LESLIE CROWTHER kept things ticking over with the right modicum of underwhelmed enthusiasm. Then came, however, invasion of music hall slapstick courtesy of troupe comprising PETER GLAZE, DON MACLEAN, JAN HUNT, LEIGH MILES, GILLIAN COMBER, BERNIE CLIFTON and hosts MICHAEL ASPEL and/or ED ‘STEWPOT’ STEWART. Stretched credibility – and viewers’ ear drums – to limit whenever gang decided, “spontaneously”, to break out of some sketch or other to reprise contemporary popular song of dizzying unsuitedness, such as Bowie’s ‘Golden Years’ or ‘Something for the Girl with Everything’, originally by Sparks, now by MacLean as he assaulted Glaze with an old boot. Programme as a whole still tolerable, though, until the 80s hoved into view and format was tweaked again to bring us – oh dear God – camp commandant STU FRANCIS. Cue gunge, shouting, irritating meaningless catchphrases (“Ooh, I could crush a grape/rip a tissue/pummel a peach”), The Fucking Krankies, The Great Soprendo (admittedly the one decent bit in it: “See this glass of milk? You see it? Right, you see it? Now it has gone, yes!”), Chas’n’Dave theme (“Lumberjack? No! Steeplejack? No! Uncle Jack? No!”) and dolly bird “assistants” who fed shit jokes to Stu for shit one-liners no kid could possibly understand/find funny (gags about Charles Aznavour for fuck’s sake). They even dropped Double Or Drop. Whole wretched noisy mess mercifully axed by Michael Grade.Read More
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Creamguide's Pick of the Day
It’s Chriiiistmas! Alright, it isn’t, which is why we’re billing loads of Radio 2 programmes rather than things on the telly. However the Beeb have already announced their festive fare and there’s plenty of great things we’re looking forward to billing over the next few weeks, from BBC4’s history of kids TV to Brucie’s Hall Of Fame But Actually Presented By Alexander Armstrong. Indeed it’s probably for the best that this is a bit of a quiet week – for now, for now – because it eases us, and you, into the bumper double Christmas issue which is not very far away now. In the meantime it’s back to Frankie, who when we left him yesterday was playing to a half-empty Blackpool Opera House but within a matter of months had signed to Capitol and released the first fruits of his classic period, enjoying great success not just on record but on film as well, and never having to go back to Blackpool again.
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