THAT EXCLAMATION mark says it all. More perspicacious production line period palaver from the pens of David Croft – who with Jimmy Perry wrote the vastly overrated DAD'S ARMY and the endless HI-DE-HI! – and Jeremy Lloyd which never seemed to be off the telly and lasted longer than the war it was “gently lampooning”. Entire premise ripped off from SECRET ARMY. Rene (GORDEN KAYE), a moon-faced smart-alec cafe owner who spoke like someone doing a shit impression of Inspector Clouseau, reluctantly agrees to help the French resistance during WW2. Married to a prickly wife Edith who can’t sing (“Youuuuuu stupid woman!”) but also fancies the arse off barmaid Yvette, but who keeps being distracted by Michelle the “collaborator” (“Listen very carefully, I shall say zees only once”), who keeps trying to avoid the machinations of Gestapo goon with a limp Herr Flick, and Helga the blonde Nazi officer who took to appearing in only her underwear, and the gay Nazi officer, the stupid Nazi officer, British airmen in terribly unamusing inability to escape to “Blighty” and uproarious false accents (“I was just pissing by”), “Mother” upstairs called Fanny with comic ear trumpet, the French policeman next door… Oh, dear god. Entire seasons seemed to revolve around Rene being presumed dead and being replaced with his identical brother (GORDEN KAYE, unsurprisingly), or the location of the Fallen Madonna With The Big Boobies, or comically-shaped bratwurst. Each episode opened with Gorden looking stupid (standing in a bale of hay, or appearing dressed as a woman, or appearing dressed as a woman in a bale of hay) and asking us what we thought he was doing. How the hell did we know ? RONNIE HAZELHURST arranged the theme, which didn’t really fit in on account of it being really rather good.Read More
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Creamguide's Pick of the Day
Bad luck to Matt Lucas who, even in this year’s threadbare BBC1 festive line-up, can’t get the Christmas episode of The Matt Lucas Awards on any earlier than the 17th, though quite why they persist with a show that’s virtually identical to Room 101 when they’re also showing Room 101 we don’t know. He’s on far more interesting form here in this repeated documentary where he tells the story of his favourite musical and then gets to appear in it as well.
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Points of View
- In '29) “That’s what I did last night, anyway, here’s Hawkwind!”', Richard16378 says: "I got a lot more of the references the 2nd & 3rd times I watched it,..."
- In '29) “That’s what I did last night, anyway, here’s Hawkwind!”', Rob Free says: "I used to watch this over and over on VHS. I loved the the little cameos from..."
- In '26) “I don’t do French, I do woodwork!”', Richard16378 says: "You are spot on about Victoria Wood being ahead of her time spoofing documentaries. The washed out..."
- In '46) “Radio 1 disc jockey Mark Goodier!”', Richard16378 says: "I really liked The Day Today, most of it has stood the test of time without becoming overly dated, certainly..."
- In '29) “That’s what I did last night, anyway, here’s Hawkwind!”', Richard16378 says: "Possibly Harry Enfield’s finest 45 minutes, a laugh out loud moment..."