THAT EXCLAMATION mark says it all. More perspicacious production line period palaver from the pens of David Croft – who with Jimmy Perry wrote the vastly overrated DAD'S ARMY and the endless HI-DE-HI! – and Jeremy Lloyd which never seemed to be off the telly and lasted longer than the war it was “gently lampooning”. Entire premise ripped off from SECRET ARMY. Rene (GORDEN KAYE), a moon-faced smart-alec cafe owner who spoke like someone doing a shit impression of Inspector Clouseau, reluctantly agrees to help the French resistance during WW2. Married to a prickly wife Edith who can’t sing (“Youuuuuu stupid woman!”) but also fancies the arse off barmaid Yvette, but who keeps being distracted by Michelle the “collaborator” (“Listen very carefully, I shall say zees only once”), who keeps trying to avoid the machinations of Gestapo goon with a limp Herr Flick, and Helga the blonde Nazi officer who took to appearing in only her underwear, and the gay Nazi officer, the stupid Nazi officer, British airmen in terribly unamusing inability to escape to “Blighty” and uproarious false accents (“I was just pissing by”), “Mother” upstairs called Fanny with comic ear trumpet, the French policeman next door… Oh, dear god. Entire seasons seemed to revolve around Rene being presumed dead and being replaced with his identical brother (GORDEN KAYE, unsurprisingly), or the location of the Fallen Madonna With The Big Boobies, or comically-shaped bratwurst. Each episode opened with Gorden looking stupid (standing in a bale of hay, or appearing dressed as a woman, or appearing dressed as a woman in a bale of hay) and asking us what we thought he was doing. How the hell did we know ? RONNIE HAZELHURST arranged the theme, which didn’t really fit in on account of it being really rather good.Read More
TVC on Twitter
Creamguide's Pick of the Day
Very soon on BBC4 we’ll be hearing two of the best singles of 1979 courtesy of Sparks, and wonderfully Ron and Russell are still going strong to this day, forty years after their first hit. They’re another act who were far more popular here in the UK than in their home country, as we took the pair to our hearts and made them proper pop stars even though they were one of the oddest acts you’ll ever see. Given they’ve just released a new greatest hits album which we think is the first time all their best stuff across all their albums has been on one record (though it doesn’t have Now That I Own The BBC on it, alas), it’s the perfect occasion for Stuart Maconie to pay tribute with a host of celebrity fans.
Subscribe to Creamguide
Points of View
- In 'Tiswas', Paul Hughes says: "Great article about a great show, but it’s a shame there’s no mention of Matthew Butler, the little lad who used to sing Bright Eyes dressed..."
- In 'Pages from Ceefax', Mick says: "BBC Micro graphics ordered to resemble mid-70s resolutions and typeset for in-computer compatibility using bolt-on tuner. Interesting case of..."
- In 'Paddington', Mick says: "When Mr. Curry barges into the family’s new ‘shedna’ to hog its maiden voyage, Paddington pours snow down the chimney in well-deserved..."
- In 'Five to Eleven', Mick says: "Well, come on, it made me think. Titles came on, I’d say ‘Right, nearly lunchtime’."
- In 'Open All Hours', Mick says: "2013 remake as fresh and sharp as the best of them, to great relief and surprise. G-G-Granville taking over miser duties in perhaps the wise move of..."