FUZZED-UP sideburned sparky pop fun from a trio of hyperactive youngsters who seemed to have worked out everything that was great about Cream-era pop and bashed it out in a collection of rapid-fire punky pop-splurge Buzzcocks-meet-Pistols-meet-Madness-meet-Syd’s-Floyd-meet-Bowie-meet-Beach-Boys-meet-Eurotrash-theme thrills. Seemingly beamed in from a universe where ‘quallidy pop’ never happened, Gaz, Danny and Mickey were the toast of 1995 and rightly so; not only were they immeasurably better than any of their Britpop peers (yes, including Oasis and – at least in their circa-The Great Escape incarnation – Blur) and therefore by association enormously more exciting than anything else around at the time, they also made a rather corking album to boot. There’s the surprisingly large hit singles quotient (Caught By The Fuzz, Mansize Rooster, Lenny, Alright, and we’re counting Time and Lose It as well round here thank you very much), the manic singalongs (I’d Like To Know, Strange Ones, She’s So Loose), the are-they-for-real? jokiness (Sitting Up Straight, Time To Go), the lovelorn epic (Sofa (Of My Lethargy)), and the downright oddness (We’re Not Supposed To, and all that “Igor! I can’t find you…” business) that suggested they’d spent a little too long poking around the more unhinged corners of their local independent record shop. For so many reasons it couldn’t last, of course, but even then Supergrass defied all logic and expectation by getting better and better as their star steadily but very very slowly faded.
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Creamguide's Pick of the Day
What more suitable programming for this evening? Used to be that goth was the most unfashionable genre of music you could get, but in recent years quite a lot of it has become assimilated into mainstream pop. We’re mostly talking imperial phase here, though, a la The Mission and Bauhaus.
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