Oil baroness Jane Russell takes to Paris to search for a suitor in the first of several Howard Hughes-funded Russell pictures. The big gimmick with this one – 3D waist-up shots, if you please – is lost on television, of course. We wonder if the reclusive Mr Hughes, like his Ever Decreasing Circles namesake, had a Polly-Wolly-Doodle room in his famous penthouse suite?
French Line, The
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