More from David Pascoe:
Exhibit C: Daytime Night-time Suffering
“I really think that’s all right, that one. It’s very pro-woman.”
AKA: Macca does feminism
Once upon a long ago, McCartney called this “my big favourite of all my contemporary work.” It could be he was just relieved to have written it. Shy on inspiration for a song to act as the B-side to forthcoming single Goodnight Tonight, he threw down the gauntlet to his Wings bandmates. Whoever produced something workable by Monday morning, would see the song recorded and issued.
History has failed to record what Mrs. McCartney, Messrs Laine, Juber and Holly came up with, but by Monday all bets were off. McCartney had written this tribute to women. But is his high opinion of the song justified?
It bears all the hallmarks of a song that has flown through its author once he has stopped pushing for a song to come. Lyrically it comes as close to pure poetry as McCartney has ever managed. I hope this song made it into Blackbird Singing, if only for beautifully prescient couplets such as: “What does she get for all the love she gave you?/There on the ladder of regret/Daytime night-time suffering/Is all…she gets”; and “Where are the prizes for the games she entered?/With little chance of much success/Daytime night-time suffering/Is all…she gets”.
Things nearly get derailed by a clichéd middle eight concerning rivers and streams that segues into the classic McCartney vocal fill “do-do-dee-do-dee-do-dum-dum-dum”, but in the end he carries it off.
Why should we be interested in it?
Because the man himself likes it and it’s only a B-side. Are we missing a classic track? Well not quite classic, but it’s certainly very good and a cut above most of the stuff McCartney was writing in the late 70s. It was more deserving of its place on Wingspan – Hits and History than bloody Bip Bop.
Mark Lewisohn says it should have been a double A-side and who are we to argue?