STARTED off as an excuse for the old I’m Sorry I’ll Read That Again team to keep on getting their I’m Sorry I’ll Read That Again money while tied up with TV projects, courtesy of an improvised panel game made up of smut, innuendo and silliness. Original rotating line-up was therefore Graeme Garden, Tim Brooke-Taylor, Bill Oddie, Jo Kendall and John Cleese (with fellow ex-ISIRTA-er David Hatch as producer) being given silly things to do by former Joe Meek-produced Trad Jazz Boom hitmaker and irreverent host of BBC jazz shows Humphrey Lyttleton. Oddie, Kendall and Cleese dropped out after a series or two, making way for external witmongers Barry Cryer and Willie Rushton to make up the long-running classic four-man line-up. Key running themes developed during these early days, most of them still in use to today, include ritual humilation of town and townspeople playing host to that evening’s recording, baiting of resident pianist Colin Sell, ridiculing of comedy panel game contemporaries (“I heard a joke the other day, apparently Quote… Unquote has a Listen Again feature… good one, Nigel!”), ever more ambitious double entendres about scorekeeper The Lovely Samantha, and of course the games – some self-explanatory, others not explanatory in any way at all: Late Arrivals, The Uxbridge English Dictionary, Just A Minim, The Bad Tempered Clavier, Pick Up Song, Cow Lake Bomb, Swanee Kazoo, Letter Writing, Name That Barcode, Quote… Misquote, One Song To The Tune Of Another, Sound Charades (invariably introduced with an anecdote about ‘The Undisputed Grand Master Of The Game’ Lionel Blair), Film Club, Book Club, and of course Mornington Crescent, famed for its innumerable, impenetrable and fiercely guarded rules. Survived Rushton’s death in 1997 by bringing in clued-up guest contestants like Jack Dee, Linda Smith, Rob Brydon, Stephen Fry, Andy Hamilton, Sandi Toksvig, Jeremy Hardy, Tony Hawks, Harry Hill, Phill Jupitus and Ross Noble, bringing their own running jokes with them, and similarly countered Lyttleton’s recent passing with installation of HIGNFY-esque ‘guest hosts’, and long may it continue.Read More
Posts Tagged With '“While I was playing pontoon/I blew up like a barrage balloon/I got fatter and fatter/especially the latter”'
TVC on Twitter
Creamguide's Pick of the Day
No Mastermind this week, and not much else very interesting to be honest, hence the umpteenth appearance in Creamguide this year for this as part of an evening of familiar repeats. As we know, ABBA at the BBC isn’t really anything of the sort, just a load of ABBA videos and more of less the entirety of Disco In The Snow. Still, the music’s nice.
Subscribe to Creamguide
Points of View
- In 'Magnum PI', Ol says: "“What was their relationship?” masters was bumming magnum, obviously."
- In 'The Children’s Film Foundation', David says: "http://www.ebay.co.uk/itm/GEHEIMSACHE-FuNF-FIVE-CL UES-TO-FORTUNE-GB-1957-CHILDRENS-FILM-FOUNDATIO..."
- In 'RADCLIFFE, Mark', Eight Ace says: "I stopped listening to R1 the minute the Mark and Lard shows finished."
- In 'Dukes of Hazzard, The', Austin Maxi says: "Closing titles usually played over a scene of Rosco’s police cruiser chasing the General Lee Dodge Charger round and round some..."
- In 'Life Without George', Austin Maxi says: "‘Everywhere you look it’s two by two, everyone’s got someone, save for you!’ as the theme song told us...."