Posts Tagged With 'Rod Hull'

“See how many you can spot in this review of Children’s ITV 1985!”

Posted in YouTube by TV Cream | 6 Comments »

FOR ALL kids’ TV continuity obsessives, here’s SUE ROBBIE (a lot posher than we remember her, actually) introducing a montage of Children’s ITV presenters from 1985, during an edition of Granada’s never-popular Saturday morning compendium TX (warning: contains mild TONY SLATTERY).

The roll-call of celebrities that manned ‘Network Control’ (yes, Children’s ITV is now so important it has its own building) in 1985 is an eclectic one, featuring the likes of ROLAND RAT and Harry and Dawn off of Number 73, as well as one or two left-field choices (cue the worried face of KEN JONES), and the dumper-bound STU FRANCIS and ROD HULL.

Indeed, in the autumn of 1985, as the BBC relaunched its afternoon sequence with the fresh-faced PHILLIP SCHOFIELD in the chair, ITV had one-joke Irish caricature JIMMY CRICKET, and GARY WILMOT doing his Johnny Mathis impressions between Bellamy’s Bugle and Storybook International.

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Bruce Forsyth’s Big Night

Posted in B is for... by TV Cream | 1 Comment »
"Are you receiving me in Grampian?" "If all else fails, tickle the ivories my loves"

OVER TO MICHAEL PALIN for a bit of context here…

“Thursday, June 29th 1978

…Drive through the rain to TV Centre. Terry Hughes disappears, and some time later, when we’ve finally got the BBC video machine to work (this takes four or five people, secretaries, window cleaners etc.), Terry emerges from Jimmy Gilbert’s office and, in an urgent whispered aside, tells us that Bruce Forsyth has just signed for ITV, and that Jimmy is in a state of utter confusion and trying to write a press release.”

Yup, as part of the great Beeb exodus of 1978, Brucie followed Morecambe and Wise to ITV, leaving behind the conveyor belt and the old scoreboard to helm this massive fuck-off Saturday night varietyfest which promptly collapsed faster than a tier of Pink Floyd audience seating. Amidst the wreckage were Cannon and Ball in what was supposed to be their first major television gig, but they kept being bumped from the line-up until, presumably, the producers were convinced they’d thought up more than two gags. The operative word in this programme was ‘big’, and as such each edition was 90 minutes long. Brucie acted as a glorified continuity announcer, promising Saturday night entertainment like we’d never seen before…which turned out to be – gasp! – comedy (a revival of The Worker with Charlie Drake and a TV adaption of the Glums with Jimmy Edwards and Ian Lavender, neither of which anyone under 40 was arsed about). And then there were – yikes! – fun (the Pyramid Game with Steve Jones and Sofa Soccer, later revived on Noel’s House Party, introduced by Anthea Redfern). Plus there was – wow! – music (Sammy Davis Junior and the UK Disco Dancing Championships). Finally there was – erk! – mayhem (regular guests Pam Ayres and Rod Hull and Emu). Inevitably after a few weeks the entire population of Britain had decided to stick the now Larry-helmed GENERATION GAME, and Brucie started using each show to moan about how people had “expected glitter to come out of the set” and take up 15 minutes’ hoofing time to berate people for not watching. Soon shunted to 6pm wilderness, axed after one series and Bruce was handed his cards. Do you see what we did there?

So how did TV Times trumpet the arrival of this televisual landmark? Why, with a WORLD OF SPORT-style “see panel” sidebar all of its own, and a hastily-scribbled invitation to view, penned by some poor hack “in the style of Bruce”, of course…

“Saturday – that’s the day I want you to keep free in future. What do you mean, you do already, for shows like World of Sport? You can still watch that, my loves, and all your other favourites. I’m talking about Saturday evening at 7.25, and the show I’ve called – modestly – Bruce Forsyth’s Big Night. We’re aiming to make it the fastest moving, most fun-filled package on television. You’re going to meet international stars, such as Sammy Davis Jr and Dolly Parton. Then I’m inviting Charlie Drake along every week to repeat his success in The Worker. We’re also recreating The Glums, and the days of wireless – radio, to you. And we’ve the comedy duo Cannon and Ball. What’s that? They’ll go with a bang? Let’s get it straight – I do the gags, you join in with the games, OK? We’ve a number of those, including Teletennis and The 1000 Pound Pyramid, and Anthea is going to help me with them. Also appearing will be the poetess Pam Ayres, and Rod Hull and Emu. And as it’s a family show, we’re inviting the kids to Beat the Goalie, and to play the main roles in Doctors and Nurses, with stars as patients. As you can see, you’re going to do well, every Saturday night…no, dear, it’s not Saturday Night Fever. No, I’m not John Travolta. It’s Bruce Forsyth’s Big Night. And it’s going to be nice to see you, to see you nice!”

"I think the chin could have been a bit bigger, mind"

You might also want to see... Cannon and Ball.

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Emu’s Broadcasting Company

Posted in E is for... by TV Cream | 4 Comments »
Petulant puppetry at its most potent Look, the bird is trying to speak

TAKE ROD HULL, a fake plastic arm, a bit of Goodies slapstick here, a bit of Python media parody there, and a good amount of Kenny Everett-style mayhem. Stir liberally in Television Centre. Hey presto: EBC-1, complete with a mock ‘handover’ from a Beeb announcer before each programme, with tea lady and brown-coated cameraman/technician (top turn BILLY DAINTY) and witty spoof shows like Doctor Who with pedal bins as Daleks, ‘Yesterday’s World’ (Tomorrow’s World with spoof fried-egg titles sequence), Open University pisstakes Open Emuversity/Closed University (“And that’s how this bridge was made. I’ll just run over that again”), endless ads for multi-purpose miracle product Scunge, frequent technical difficulties caused by Emu’s stab-happy approach to the control panel, and much mayhem of the sort viewers were familiar with from numerous Parky and Royal Variety Show appearances. Rod would go out on location (school canteen, village fete, etc.) and Emu would, inevitably, cause messy chaos. Remember him this way!

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Emu’s Brand New Pink Windmill Show/World

Posted in E is for... by TV Cream | 8 Comments »

SADLY, THIS is what the majority of people remember Rod Hull for. Moving away from the inventive and funny Goodies/Kenny Everett madness of the Beeb’s EBC-1 show, Hull and Bird washed up on the other side with this less appetising cutesy pantomime romp. Set in a cartoon Pink Windmill (a studio set full of stage school kids), Rod and Emu performed various inconsequential whimsies, with frequent interruptions from green witch Grotbags (CAROL LEE SCOTT), who was constantly trying to kidnap Emu for some reason. Rod gave his arm a rest on occasion by slipping Emu into a wicker basket, and the entire cast gave our brains a drubbing with the “there’s somebody at the door!” chant. Occasionally the banal script was forgotten in the odd sub-Tiswas moment of studio anarchy, but not often. In the later ‘World, Grots acquired two rubbish camp costumed helpers – effeminately-voiced corcodile Croc and the even more effeminate gold-plated Robot Redford. Action switched from sketches to a more prolonged storyline in sub-Rentaghost mould, including blue-screen flying vacuum cleaners called “Hovergrots”. Fowl play indeed.

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