SUBLIME filling of the popular-cultural no-man’s-land between Christmas Day and New Year’s Day with a set of short but charming mini-documentaries on a handful of erstwhile childrens’ TV favourites too old to still be ‘on’ but too recent to be properly nostalgised over yet: Tiswas, Play School, Vision On, the Smallfilms ouvre, Crackerjack, an odds-and-ends collection taking in Bill & Ben/Trumptonshire/Fingerbobs/Captain Pugwash/Mr Benn, and most infamously of all, a startling look back at the rivalry between Blue Peter and Magpie, peppered with guarded inter-presenter verbal barbs and hinting at all manner of shadowy The Fourth K-esque management power struggles behind the scenes. No wonder Noakes and Shep were so keen to ‘Go’! Packed to the ‘white void’ studio rafters with original contributors and bizarre anecdotes about stolen Teds, incinerated Mintons, foul-mouthed Clangers, New York taxi drivers shouting ‘COMPOST CORNER!’, ‘baby bump’-concealing scenery, Hamble-torture, Gilliam/Yellow Sumbarine-emulation, Leo Sayer fuming at theft of trademark ‘perm’, hypothermia-afflicted future Doctor Whos, backstage Play School joint-toking, and sticking two fingers up at Noel Edmonds, and with nary a second-rate standup doing that counting an imaginary ‘witty’ list off on their fingers thing in sight, this was – in a very real sense – what they want. Not to mention inspiring someone, somewhere to upload a handful of Fred Harris JPEGs…Read More
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Creamguide's Pick of the Day
Says here “new”, but you know what they mean. It’s the very famous show from the Royal Albert Hall in 1968 which as well as featuring one of the most influential bands in pop history is also quite important because it was shown on BBC1 in the days when progressive pop was a very rare occurrence on the channel, and which spurred Mrs B Oldland of Sheldon, Birmingham to write to the Radio Times to say, “I must say that never in all the years of television have I seen such a confusion of sheer unadulterated nonsense, with flashing pictures to match. Their music had no beginning or ending, and was a continuous mumbo jumbo of ‘middle’ from start to stop. If this is their farewell performance, then it wasn’t a minute to soon for me!”
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