STARTED off as an excuse for the old I’m Sorry I’ll Read That Again team to keep on getting their I’m Sorry I’ll Read That Again money while tied up with TV projects, courtesy of an improvised panel game made up of smut, innuendo and silliness. Original rotating line-up was therefore Graeme Garden, Tim Brooke-Taylor, Bill Oddie, Jo Kendall and John Cleese (with fellow ex-ISIRTA-er David Hatch as producer) being given silly things to do by former Joe Meek-produced Trad Jazz Boom hitmaker and irreverent host of BBC jazz shows Humphrey Lyttleton. Oddie, Kendall and Cleese dropped out after a series or two, making way for external witmongers Barry Cryer and Willie Rushton to make up the long-running classic four-man line-up. Key running themes developed during these early days, most of them still in use to today, include ritual humilation of town and townspeople playing host to that evening’s recording, baiting of resident pianist Colin Sell, ridiculing of comedy panel game contemporaries (“I heard a joke the other day, apparently Quote… Unquote has a Listen Again feature… good one, Nigel!”), ever more ambitious double entendres about scorekeeper The Lovely Samantha, and of course the games – some self-explanatory, others not explanatory in any way at all: Late Arrivals, The Uxbridge English Dictionary, Just A Minim, The Bad Tempered Clavier, Pick Up Song, Cow Lake Bomb, Swanee Kazoo, Letter Writing, Name That Barcode, Quote… Misquote, One Song To The Tune Of Another, Sound Charades (invariably introduced with an anecdote about ‘The Undisputed Grand Master Of The Game’ Lionel Blair), Film Club, Book Club, and of course Mornington Crescent, famed for its innumerable, impenetrable and fiercely guarded rules. Survived Rushton’s death in 1997 by bringing in clued-up guest contestants like Jack Dee, Linda Smith, Rob Brydon, Stephen Fry, Andy Hamilton, Sandi Toksvig, Jeremy Hardy, Tony Hawks, Harry Hill, Phill Jupitus and Ross Noble, bringing their own running jokes with them, and similarly countered Lyttleton’s recent passing with installation of HIGNFY-esque ‘guest hosts’, and long may it continue.Read More
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Creamguide's Pick of the Day
The Art of the Obit
Saturday, 20.00, BBC Radio 4
We think Richard Bacon spoke for a lot of us the other day when he said what he’d really like to read in the papers was a big long well-researched essay about Wogan’s life, rather than a bunch of tweets from famous people which he could easily find himself. We do enjoy reading obituaries, especially when they’re of people off the telly, footballers and politicians, and here’s Matthew Bannister, who for the past decade has been presenting Radio 4’s obituary series Last Word, to examine how you write an obituary, revisit some particularly famous examples, consider how its role is changing now there’s so much more information available, and met Dave Swarbrick who had the dubious honour of opening the paper and seeing his own obituary.
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Points of View
- In 'Lace', George White says: "Basically Bunty comic’s the Four Marys with added sex with its story of “teenage” pregnancy (average age of student – 31)."
- In 'Potty Time, Michael Bentine’s', Scott McPhee says: "The obligatory Christmas episode. Jingle Bells parody; “Oh what fun it is to ride in a super sonic sleigh.”"
- In 'Play School', George White says: "Yes, that’s right, he is. Australia is a small world."
- In 'PICK OF THE DAY', Richard Davies says: "It sounds like it’s worth writing a feature on the rise of stand-up comedy over the last 20 or so years."
- In 'Play School', David Smith says: "Don Spencer is also, in one of my favourite pieces of telly trivia, Russell Crowe’s father-in-law."