A rare successful sitcom spin-off produced under the aegis of the great Nat Cohen. Harold (Harry H Corbett) marries a girl recognised by dad Albert (Wilfrid Brambell) as being dead common. Albert knows this, of course, because he’s as common as own brand muck. Nevertheless, the marriage goes ahead between Harold and Zita (Carolyn Seymour) leading scriptwriters Ray Galton and Alan Simpson (also responsible for the telly series) to dance in the jaws of the relocation trap by sending the cast to Spain for the honeymoon. This time the production merely tickles the tonsils of disaster, and escapes unharmed by the halitosis of mediocrity. The result is both funny and touching, not an easy combination to achieve in any genre, let alone a sitcom transfer.Read More
Posts Tagged With 'Carolyn Seymour'
SUPERBUG RAVAGES the planet leaving nothing but thick-set hairy hobbledehoys in its wake. Counterfactual hokum from back when the idea of an out-of-control, unbeatable virus demolishing everything in its path wasn’t ubiquitous fodder for the Daily Express. TERRY NATION invented it after realising he’d never get any money for claiming he’d created the Daleks (it was Davros, everyone knows that). CAROLYN SEYMOUR and IAN MCCULLOCH were two of the titular old-timers, eating worms, building fires and arguing about free will. Encompassed, unbelievably, three series and appearances by PETER DUNCAN.Read More
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Creamguide's Pick of the Day
Shame it didn’t start five minutes earlier. This is clearly outside the Cream era but it’s a fascinating document all the same, and made for intriguing viewing when this channel last showed it a decade ago. Only three hours exist, and it’s not three consecutive hours either, so there are slightly odd bits where it fades to black and it’s suddenly four hours later, but as an example of the conventions of fifties telly in particular and society in general it’s well worth a watch. David Butler and Bob McKenzie are still around, although in those days they spent as much time explaining how the election worked as what it all meant.
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Points of View
- In 'Sandbaggers, The', Ant says: "Never shown on a Sunday, always a Monday at 9pm."
- In 'Zokko', Astronut says: "Score 15. Tramp-o-line."
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- In 'Life and Loves of a She-Devil, The', Barbersmith says: "I recently saw the repeat of this. It really is Christ-awful. Tom Baker does one of the worst drunk scenes ever seen, and the..."