Posts Tagged With 'A revolving stage'

“Number 10? Maggie’s Den!”

Posted in A bit of business by TV Cream | 2 Comments »

Our Monkhouse master card!
Are you enjoying the re-runs of Bob’s Full House on Challenge as much as we are? (That’s every Saturday at 8pm)

In all seriousness, it’s probably the least-dated TV show from the 1980s, a quiz that zings along with plenty of ‘funny putty’ from Bob, likeable contestants, brilliant music stings and fun questions. Plus the nerve-shredding final Golden Game Card.

So, now, roughly 30 years on from when Radio Times was supposed to print play-along-at-home cards (for some reason, the plan was scuppered), TV Cream is bringing you its very own Bob’s Full House bingo game. See the image above. Simply cross off any time any of the items are referenced in the show. Have fun! And remember, our doors are always open for you.

NB. As the repeats continue on Challenge, feel free to suggest your own categories we should add to our Monkhouse Mastercard
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Bob’s Full House

Posted in B is for... by TV Cream | 7 Comments »

LORD MONKHOUSE’s finest hour, aka How To Design The Perfect Game Show. This one had it all. On would come Bob in a smart suit with some nifty gags and instant catchphrasery: “In bingo lingo it’s clickety-clicks, time to take your pick of the six!” Contestants arranged in novel four-booth system, reminiscent of PUNCHLINES. Booths fronted with bingo card, with game split into three rounds – light corners, light middle line and light whole card by answering questions. Winner of each round gets to choose wonderful/tacky prize from array revealed by rotating cylindrical screen (always a His ‘n’ Hers bathgown set on offer). Last round was pacey, quickfire stuff, with regular updates on progress from the Monk (“Dave NEEEEDS three…Sharon, you NEEEEEED seven…”). Central to the show was that most 80s of devices – the rotating structure (see BLANKETY BLANK, BULLSEYE). Here we had a three-sided construction, with the Monkhouse Mastercard, Golden Card Game and Bob’s Full House logo on each side. Golden Card Game oozed excitement with the holiday destination was gradually revealed letter by letter (“Let’s hope it’s not Bognor!”) Plus ever-present danger of being “wallied” if you got a question wrong. Everything you’d ever want from a game show and the perfect shopwindow for Bob’s genius. Fact.

You might also want to see... Have you met my mother?.

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Bullseye

Posted in B is for... by TV Cream | 13 Comments »

DESPITE LATTERDAY APPROPRIATION BY lazy stand-ups, this is still a sleeping giant as far as fondly-remembered classics go. To wit:

1) Funky opening Chas ‘n’ Dave/pub rock paean and three types of title sequences down the years, each featuring show icon BULLY in cartoon form (dressed in classical red-striped darts shirt):

a) Early years depicted The Bull pub sign with Bully incorporated into it. Suddenly static Bully moves, taking a quick glance to the right to check no-one’s looking before jumping out of sign and landing on ground with loud tympanum noise. Bully makes way into The Bull, with ‘Darts Contest’ banner over door, then proceeds straight to oche, throwing one dart and landing bullseye. Cartoon busty barmaid serves pints in background. Customers not fazed by presence of huge bull playing darts.

b) Second and most memorable sequence (used from around 1986-92) showed Bully leaving The Bull apparently after said darts match and hopping into cartoon coach, giving lift to six stereotypical fat darts players who all sat on the back row and gave a genial thumbs-up to the camera. Action turned sinister, however, as coach suddenly inherited flying ability and entered bizarre world of darts iconography, with giant metal-wire darts numbers and dartboards spinning past the windows. Human darts players pointed and looked worried. Rush of the blood to the bovine head caused Bully to press “ejector seat” button on dashboard and launch himself clear of the coach, thankfully grabbing onto the flight of a massive dart and presumably sending the six players and bus plunging to their deaths. Bully ended up flying directly into camera, and screen exploded in shower of dartboard sector dividers.

c) Show underwent radical repositioning in 1993: final and most laughable sequence changed tack completely but seemed to continue story laid out in previous two incarnations, with Bully apparently gaining unauthorised access to Bullseye studio. Mad Roger Rabbit-style adventures commenced with Bully excitedly bounding down the studio steps, sending adjacent audience members flying. Other shots included Bully giving show compere JIM BOWEN a big kiss (cue wavy-line face from Bowen), and Bully seemingly losing it and hanging on to the Giant Rotating Dartboard Structure (of which more later) whilst it spins really fast. Bully’s breakdown completed by a big leap-frog across the studio, causing Bowen to dive for cover.

2) Show gets under way. Early years saw studio adopt standard game show layout of audience out of shot behind camera and BULLSEYE logo hanging on back drape. Aforementioned compere Bowen emerges from underneath another standard device of rising vertical partition, sporting dartboard sector design. Later series saw studio topography reversed with audience in full view along back of studio, and Bowen appearing to rapturous applause from top of flight of steps (the ones Bully pegged it down during his “episode”). Here Bowen would stand mid-flight and deliver some tired opening gambit, usually revolving around a clearly made-up viewer’s letter. Also in later years Bowen would at this point introduce darts-shouter and nominal scorer TONY GREEN, normally involved in hackneyed sketch to much derision from audience, for some reason.

3) Quick burst of theme music then onto the contestants, three teams of two people – one darts player (standing up) and one non-darts player (sitting down). Chat to punters, ask about anecdote. Bowen: “Super, smashing, great.” (though he insists he never said this).

4) At last the first round: CATEGORY BOARD. Non-darts players (or NDPs) take up positions at satisfying circular desks, darts players (or DPs) occupy stools along the back. Bowen moves over to show’s central device, the Giant Rotating Dartboard Structure, first showing aforementioned category board. Clockwise from the top: Faces, Places, Sport, Showbiz, Affairs, History, Books, Words, Britain, Spelling. Other series featured Food, General Knowledge, and Bible (amazingly). Each of the ten sectors was further divided into sections denoting various amounts of cash, ranging from large £30 sectors round the outside to tiny £100 sectors near the middle, and the famous £200 “wildcard” bullseye marking the centre. NDP nominates category, DP aims one dart at chosen topic. “Questions get more difficult” as Bowen warns us – first is worth £30, then £50, then £100. Get the dart in chosen category, and money equivalent to value of sector is banked. If incorrect category hit, get asked a question on that subject “but there’s no bonus”. Category light goes out once question is asked. Category cannot be used twice – “The ones that are lit are the ones you can hit”. Green stands by board and verifies categories. If unlit category is hit, throw is illegal – “No, that’s in Places, and the category’s gone”. Play continues to next team in that instance. Bonus light available for attempting someone else’s question, if they got it wrong. Out of time signalled by cartoon Bully appearing in corner of screen and mooing (little puffs of steam shoot out of his nose). Spelling answer confirmed by cartoon Bully walking along bottom of screen with dictionary, leaving trail of letters behind (word “dictionary” written on back of book, for some reason). Bowen’s questions stored in large rotating dartboard/table thing. Round ends after each team gets three goes. In earlier series at this point, say goodbye to trailing team, and hand out prizes – money acquired, set of Bullseye-branded darts and the famous BENDY BULLY. In later series, they just carried on with all three teams.

5) Second round: IT’S POUNDS FOR POINTS. Rotating Structure turns to reveal regulation-type dartboard. Just get as many points as you can in three darts. Team with best score gets to answer £100-difficulty question, if correct they win DP’s total in quids. Bonus light available again here for chance to win team-mate’s total. Do this three times. Team with most goes through to final (first round scores carried over). DPs hardly ever got 180 – 41 was more common score. Each sub-round accompanied by wonderful musical pieces – standard theme tune, odd “middle-eight” part then variation of theme. After the three goes, say goodbye to losing team or teams. Hand out prizes as above, along with extra Bullseye silver tankard (silver goblet for lady contestants), and the money they won – Bowen either takes wad of cash from jacket pocket and starts to count it out (“Ten, twenty, thirty…see you after the break…forty, fifty…”), or promises that “it’ll take two minutes to count this out, see you after the break.”

6) Classic era (1981-92): Cartoon Bully plays darts and writes ‘End Of Part One’ on darts blackboard. Post-Year Zero (1993-5): Bully takes ride on Giant Rotating Dartboard Structure as it spins really fast again, accompanied by the not-so-catchphrase: “Back in a couple of throws!”.

7) Adverts.

8) Classic era: Cartoon Bully writes ‘Part Two’. Post-jumping the shark: GRDS spins round again.

9) Bizarre sub-section of show: TURN OF THE PROFESSIONAL. Bring on proper darts player (eg ERIC BRISTOW, KEITH DELLAR, CLIFF LAZARENKO, LEIGHTON REES) and ask them to throw nine darts. If they score under 301, pounds equivalent to total score given to charity of remaining contestants’ choice. If more than 301 achieved, double prize for charity. Incorporated fairly unnecessary leaderboard structure for prize of actual foot-tall Bronze Bully. Leader at series’ end retained Bronze Bully until next season. Ask guest about recent tournaments, provide banter, etc.

10) Final round: BULLY’S PRIZE BOARD. Rotating Structure changes again to special nine-prize, 17-sector board. Aim is simple: “Keep out of the black, in the red, nothing in this game for two in a bed”. Red sectors contained prizes, black contained nothing. Cartoon Bully appears from centre of cartoon prize board, and points at each number to reveal prize (except he splays out gloved right hand towards number 4). Bowen & Green accompanied, Green shouting: “IIIIIIIIN ONE!” “IIIIIIIIIN TWO!” etc. as Bully pointed, culminating with “AND BULLY’S SPECIAL PRIZE!” (reward for landing the bullseye). Bowen described risible prizes as they went along, usually in form of rhyming couplet (eg “This’ll keep you clean…it’s a washing machine” or “There’ll be laughter and whoops as you go through hoops with this fantastic croquet set”). Most ridiculous prize ever noted: a “Lazy Suzy” (ask your gran). Nine darts available, three for NDP. Thumbs-up from cartoon Bully and quick burst of theme if bullseye was hit.

11) After, Bowen lists all prizes won then offers chance to gamble those (“Your money’s safe, the money you won earlier, your darts and your tankards are safe, and the £280 going to the hospice, that’s on its way after the show…”) for mystery prize, “what’s hiding behind Bully” (or vertical partition). Limited time to decide – in fact, only “the time it takes the board to revolve” with scary space-type sound similar to ‘Lucky Star’ by Madonna in background. If they want to walk away (“Well Jim, we’ve had a smashing day, and we’re happy with what we’ve got”), wheel on second team and offer them chance to gamble their money (and Bendy Bully, no doubt). If they refuse, bring on third useless team and offer same. Task: get 101 on regulation board with six darts, “three for you, and three for you”, NDP first (Point of order: How did they know that the non-darts player was really a non-darts player? Did they use a lie detector or something?). Tense as you like, with dramatic drum-roll overlaid and Green & Bowen urging players to “take your time, there’s no rush, take as long as you need”. If they win, rush over to ‘Bully’, lift partition and reveal boat/car/caravan on giant dartboard, wheeled in by Bullseye roadies. Play exciting “party mix” of theme with various whistles, whirls and squeaks added. Bowen bundles winners into prize and insists they try it for size. If they lose, play standard theme quietly and reveal prize anyway (“Let’s take a look at what you coulda won”). Sometimes prize was a holiday, necessitating partition to reveal Quantel-swoop of various stills from destination, extensively described by Bowen, with the payoff: “All for the throw of a dart!”.

12) It’s all over. Bowen’s head appears within cartoon dartboard at The Bull, credits roll up darts blackboard as Bowen rounds off at great length – eg “a Vauxhall Nova, beautiful economical little motor car, beautiful little example of one of Bully’s star prizes! We did the rooting, you did the shooting! What a night you’ve had on Bullseye! Watch us next time on Bullseye! Could you do it, at home, with the pressure on? These lads did! See you soon! You can’t beat a bit of Bully! Byeee!”. Cartoon Bully throws three final darts (scoring 17, two missing the board; must’ve sunk one too many), then closes doors on dartboard. Central Production logo painted onto outside of dartboard doors.

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Blankety Blank

Posted in B is for... by TV Cream | 1 Comment »

"Windsor you old cove, what have you got for us?"“ON THE PANEL, six of the finest showbusiness minds in the country. Sadly that was last week, so here are half a dozen no-hopers instead.” Hooray! Best-ever celebrity quiz in the history of telly, thanks to titanic quantities of self-deprecation launched by hosts El Tel and Sez Les. Piss-easy rules: two contestants (triangular or square) required to fill in the blanks in such humorous statements as “Lord Terence of Wogan had a spot of bother at the local garden party – he mistook one of the ornamental fountains for a blank”, but in such a way as to agree with the answers of a panel of six personalities. These were sat in a two-tier arrangement on the other side of the studio according to a famously strict pattern – top row: Middle-aged male character actor/humourist (eg ROY HUDD, GEORGE COLE); middle-aged female character actress/celeb (BERYL REID, CLAIRE RAYNER); blandish 30/40something male celeb (GARETH HUNT, GARY DAVIES); bottom row: bit of fluff for host to eye up (LORRAINE CHASE, LINDA LUSARDI); wacky comedian (almost always KENNY EVERETT); and dizzy actress/singer (SANDRA DICKINSON, CHERYL BAKER). All wrote their answer in 30-second longeur on tatty piece of card, before holding up “Ready” stick (later illuminated light) when finished. Finale supermatch game (“Supermatch game, supermatch game!”) had a board with various possible answers to something like “FISHING BLANK” worth 50 blanks (equivalent prize – matching luggage), 100 blanks (drinks trolley) and 150 blanks (self-assembly greenhouse). “Eugene, please reveal the legend!” Again, they picked celebs to suggest answers for them “or you can go for one of your own!” (they never did, poor fools). Everyone went away with a Blankety Blank cheque book and pen in, ahem, solid silver. The Wogan years: stick microphone (which Kenny invariably bent into amusing shape), “I don’t know what’s going on here” spiel, bemused disgust at BBC penny-pinching. The Dawson years: stamping on floor, elephant man gags, “Goodnight to our viewer in Cheltenham”, “prizes beyond avarice itself”, comical fury at BBC canteen. Rotten late-90s revival under auspices of Wirral transvestite LILY SAVAGE.

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Catchphrase

Posted in C is for... by TV Cream | 4 Comments »

LIKE A PETULANT BOOMERANG this keeps coming back, although we’re sure that they’ve done every “phrase” in the English language about ten times now and they’re throwing in stuff like “Walking Down The Street”, like that’s a catchphrase. Anyhow, 80s-Sunday-night-just-after-HIGHWAY vintage is your main concern, with sometime blue comic ROY WALKER asking you to “say what you see” in response to a badly-drawn computer image of a phrase or term, Dingbats-style. Animations starred the inimitable MR. CHIPS, a bizarre Chad-like character, about whom Roy would repeatedly ask, “What’s Mr. Chips doing?” Neon tube lights abounded on the set, and yes, we had that all-important ROTATING STRUCTURE which was compulsory for game shows in the 1980s. This was the biggest, though, with the contestants perched precariously near the edge, and then – as if that wasn’t enough – a second rotating structure on the left which served no purpose whatsoever. Show’s own catchphrase is above, along with “here’s another catchphrase”, “five seconds, here we go”, “it’s good, but it’s not right” (which Walker always said even if Joe Public couldn’t have been more wrong) and after the adverts, “it’s fast and furious in the Ready Money Round!” when show employed oft-used tactic of doubling all the prize money. Piccies accompanied by instantly recognised jingles: the upbeat one, the slightly quirky one, the desert/Middle Eastern one etc etc. Final was working out catchphrases against the clock, leading to many hilarious wrong answers from panicking punters (though the heart beat-style clock music didn’t help). Buzzer noise was grand, as was title sequence, with us flying through some weird maze on another planet.

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