Posts Tagged With '1968'

Cosmic Zoom/Powers of Ten

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And all we got Professor bleeding Popper…AND SO we come to this, made by the redoubtable NFBC, and re-done by IBM-affiliated heads a few years later, it nevertheless instantly caught the eye of anyone watching. BLUE PETER showed it once, PICTURE BOX several dozen times. Immensely memorable all the same. Produced by Charles and Ray Eames, it was originally an animated film which started with a (real-life action) shot of a boy rowing over a lake. The picture freezes, and the camera “zooms” (you see?) in on the boy’s hand, sitting on which is a mosquito. We go past the mosquito and under the skin, right through the blood vessels and into the atomic structure. Then we slow down and come back out the other way. But the reverse-zoom doesn’t end with the lake, it goes on further, showing the whole of Canada, the globe, the Earth as a planet within the solar system until we see the Milky Way. Then we stop again and zoom back in until we’re back at the boy on the lake. Then it melts back into live action and the boy carries on rowing, blissfully unaware of the mind-altering hallucinogenic experience the rest of us have just undergone. Indeed.

You might also want to see... National Film Board of Canada, The.

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Land of the Giants

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Busy week for the props departmentDOWNSIZED DERRING-DO from the Infernomeister, wherein Steve, Dan, Mark, Betty, one obnoxious kid (de rigeur in all US fantasy series), a ditzy teen and the devious Fitzhugh crash their spaceship onto a planet which might be Earth where for no reason at all everyone is about 20 times bigger. GARY CONWAY and DON MATHESON were those warding off the big safety pins, buttons and pencil sharpeners, besides trying to escape the ever-present, ever-unconvinving “hand” which invariably scooped on or other of them up every episode.

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Nearest and Dearest

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The most frightening publicity still ever produced from Quay Street Jimmy and Hylda get upstaged by a bit of cardboard

GRANADA’S BIGGEST-SELLING situation comedy. Eli Pledge (JIMMY JEWELL) and Nellie Pledge (HYLDA BAKER) are feuding siblings who have inherited a pickle factory and a workforce which appears to have escaped from a genetic experiment: all old, bent, shortsighted, deformed, scruffy and looking like pre-1914 factory fodder. Nellie was all malapropisms, methodist propiety and teetotal. Eli was all beer, fags, gambling and improbably copping off with girls a quarter of his age. Lancashire setting milked for all it was worth, with the house they lived in looked, to the teak-veneer-contiboard-and-G-Plan 1970s, old and Victorian and dark and damp and smelly. Nellie’s catchphrases: “big girl’s blouse”, “Defective Inspector”, “he knows, you know” “it’s quarter-past – oh I must get a little hand put on this watch” and the eternal “Have you been, Walter?” (to doddering octogenarian husband of Madge Hindle, aka Alf Roberts’ wife-before-last in Corrie). Eli’s catchphrase was “You knock-kneed knackered old nosebag”.

You might also want to see... Not On Your Nellie!.

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Basil Brush Show, The

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In order then, it's Mr Rodney... ...Mr Derek... ...and Mr Roy

UPPER CLASS FOX with a human voice insults well-known BBC face, takes the piss out of world famous celebrities, blows up some sticks of pretend dynamite, introduces latest hit parade offering from The Shadows/Paul Nicholas/Elaine Paige, then repeatedly interrupts well-known BBC face trying to read an adventure story “until next week’s exciting instalment”. Established rakish credentials under tutelage of handkerchief-tampering sorceror DAVID NIXON before graduating to own variety show with co-host RODNEY BEWES. Successive “Misters”, in chronological and descending-greatness order, were DEREK FOWLDS, ROY NORTH, HOWARD WILLIAMS and BILLY BOYLE. Plenty of memorable tomfoolery with the likes of TERRY WOGAN and INSTANT SUNSHINE kept 1970s ticking over, while perennial invocation of “Dirty Gerty from number thirty” jostled for ubiquity with cries of “Ha! Ha! Ha! Ha! Ha! Ha! Ha!” getting increasingly slower. Voice and hand of IVAN OWEN. Latterly revived in 2002 with the wrong a) face b) voice c) format (a sitcom!), but nobody was watching so it didn’t matter. Boom boom.

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Time Tunnel, The

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MORE PSYCHEDELIC tomfoolery from the house of the Poseidon king. This was the one where an experiment – Project Tic Toc – that went wrong caused Tony Newman (JAMES DARREN) and Doug Phillips (ROBERT COLBERT) to tumble helplessly toward a new fantastic adventure each week, often in the American Civil War, watched by, yes she’s back again already, LEE “CATWOMAN” MERIWETHER at the lab via a crazy op-art spirally thing. Ace opening bombastic narration: “Two American scientists are lost in the swirling maze of past and future ages, during the first experiments on America’s greatest and most secret project, the Time Tunnel. Tony Newman and Doug Phillips now tumble helplessly toward a new fantastic adventure, somewhere along the infinite corridors of time.” Are you listening, Russell T Davies?

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Goodbye Again

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ROTTEN PETE’N'DUD roustabout done for the third channel purely for a) Lew Grade money b) to give Lew Grade something else to flog in America. Massive fuck-off sets, massive fuck-off celebrity guest stars, massive hype, jokes mislaid along the way.

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Gigantor

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BONKERS JAPANESE cartoon about the mightiest robot in the world, who happened to be controlled by Jimmy Sparks, a ten year-old kid (just how mighty is that, then?) Also involved were such rounded characters as Dr. Bob Brilliant, Inspector Blooper, Dick Strong and “The Space Pussies”.

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Me Mammy

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EMERALD ISLE export Bunjy Kennefick (MILO O’SHEA), a man of fast words and even faster living, struggles to crawl out from under the thumb of horrendous matriach ANNA MANAHAN and bossy fiancee YOOTHA JOYCE.

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Marty/Marty Amok/It’s Marty/The Marty Feldman Comedy Machine

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PUPIL-POPPING PARADE of slapstick and speeded-up shenanigans which sprawled across many a year (and channel) but always traded in the same business: double-time running about; period costumery with present-day gags; monsters in dog baskets; monsters behind people masks; triple-time running about; and shouting. Most of it was written by BARRY TOOK. The good bits.

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Mighty Heroes, The

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SUPERHERO SPOOFATHON from the makers of DEPUTY DAWG. The Big City is menaced by a nutty villain of some kind, and “a call goes out for the Mighty Heroes!” To wit: Ropeman (sailor who turns into a bit of rope), Cuckooman (cuckoo clock salesman who turns into goofy, clucking incompetent), Tornadoman (weatherman who spins around), Strongman (car mechanic who…”is strong”) and Diaperman (baby who turns into strong, cigar-smoking baby man thing). Together they swell up to clobber the foe. Mightily.

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White Horses, The

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IRON CURTAIN-PULLING impishness involving a 15-year-old girl called Julia whiling away the summer holiday on a horse farm and getting up to all kinds of, ahem, foal play. One of the creatures, named Boris, was usually responsible for triggering that week’s adventure. Theme song a hit for Jackie “Rupert The Bear” Lee. Theme song not a hit for the Kitchens Of Distinction. But then what was?

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Magpie

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BLUE-PETER-BEATING ITV kids’ magazine, staffed, in chronological order, as follows.

Initially, TONY BASTABLE, PETE BRADY and SUSAN STRANKS, a dream team covering all bases (“Between them, Magpie’s three presenters have a wide range of hobbies and interests. Pete’s water ski-ing and Sue’s cycling have already been featured in the programme, but Tony’s main interest in history still requires more of an airing. Tony – “I’m the old-fashioned type” – hopes to share his enthusiasm for the more unusual aspects of things past with viewers.”). Lots of features on behind-the-scenes goings-on at the Thames studios, partly because kids were fascinated by all that, but mainly because it was very cheap.

1969 saw the introduction of PUFF THE PONY (“Just 12 hands, 2in high – 4ft. 2in, to the uninitiated – Puff is eight years old and seems to be enjoying his television life”) along with riding expert PAULINE VOSS, and the expansion of the programme to a twice-weekly ‘Peter-ish slot (“Twice-weekly means double the information, double the entertainment and twice as many chances to win one of the splendid Magpie badges -or “A day with the Magpie film unit” prizes. To launch the “dynamic duo,” Magpie introduces a new feature. Following the highly successful item on the American Apollo Moon shot a few weeks ago, letters poured in to producer Sue Turner and it was decided to extend the idea to cover all aspects of space flight. Pete Brady, with the expert help of TV Times Science Editor Peter Fairley, presents the “ABC of space”, which will examine everything from “Astronaut”-today’s subject-to “Zero g”). For the lads, an early football skills initiative set out to enlist “the managers and stars of soccer to demonstrate every facet of the game from the role of the attacking forward to goalkeeping, from the sweeper-up to the full back.” Meanwhile, “The competition to find a name for the fat little Magpie bird that is featured in the programme’s opening film proved enormously popular. More than 20,000 votes were received and from the five possible names viewers chose Murgatroyd. It was a case of coast-to-coast inspiration because the winning nominators came from Kent, Tees-side, Surrey, Gloucester and London.” It didn’t stop there – ’69 also saw the launch of “Magpie’s ‘floating studio’ Thames Magpie, at a grand launching ceremony at Shepperton, Middlesex. Lady Dorothy Rose, wife of round-the-world voyager Sir Alec Rose, will perform the traditional ceremonials, and it is hoped to show viewers round Sir Alec’s boat, Lively Lady. Many distinguished people will be at this gala occasion, and you can meet the woodcarver who made the twin figureheads for Thames Magpie. She has two figureheads because as One is for Sorrow, there had to be a Two for Joy!” It was all taking off by now – “Magpie seems to have started a new cult. The programme’s files now contain details of more than a dozen Magpie clubs started by viewers up and down the country, at least four boats have been named Magpie and there are three pop groups composed of young viewers who have called themselves the Magpies.”

1970 brought both Susan’s Back in Gear historical fashion segment and the Magpie Mystery Tour: “Magpie hopes to be coming to you ‘live’ from a very special outside broadcast location. It should be spectacular, amusing, and amazing, with a strong equine slant.” There was also the first BP-apeing summer expedition – “Where have they been during the summer? The whole Magpie team flew halfway round the world to film and record interesting stories from the Far East. Among the places they stayed: Manila in the Philippines and Hongkong.” On the more serious side, there was “Can You Cope? in which the programme’s team is joined by TV Doctor Michael Winstanley. The topics dealt with are not limited to the purely medical, but include advice on what to do in a variety of situations. For example: would you know how to set about stopping the water flow from a burst pipe? What would you do if you saw strangers acting suspiciously next door? This feature aims to tell you.”

1971 saw the first personnel change, as Brady made way for “wee Scot” DOUGIE RAE, very much stepping into the Noakesian “action man” mantle: “who’s been out training with the British Olympic Ski Team? Look at those beautiful bruises Doug is sporting and no more need be said!” Newsdesk rounded up local clubs and events in a community-minded style. The Magpie Appeal began, its total indicated by line going through “the Thames studios here at Teddington Lock.”

1973, and researcher MICK ROBERTSON replaced Bastable, who moved behind the scenes into a producer’s role (taking over from the ubiquitous ROGER PRICE). Dougie, meanwhile, continued to milk a self-deprecating line in heightist gags (“Douglas Rae is not very large – in fact to put it bluntly he’s rather small – so he’s been out learning about the art of self-defence.”)

1974 saw the original team finally evaporate for good, as Stranks handed over to Tory MP’s sister JENNY HANLEY. Worthy Magpie Special programmes on disabilities, country life, endangered species and the like were commonplace.

1977 – Dougie ups sticks, leaving a two-handed team for a while until the ever-loving TOMMY BOYD joins proceedings in the autumn, heralding a second Golden Age team that would last until the final edition on 6th June 1980.

The ‘Pie’s Much-debated ‘working class credentials’ seemed to stem mostly from the fact that a) it wasn’t on the BBC, and b) Princess Anne never went on it.

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Flight of the Heron, The

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MORE PERIOD PALAVER. Plucky Ewan Cameron, professional Highlander, adrift amongst Jacobite Rebellion of 1745 discovers his “fate” entwined with prightly English Captain. Much contemplation of comradeship and platonic/national bonding ensued, brought to welcome end by Captain’s swift exit via a broadsword (courtesy of Ewan’s manservant) and Ewan himself pissing off to France.

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Freewheelers

Posted in F is for... by TV Cream | 1 Comment »

ABSOLUTE ARCHETYPAL posh-kids-in-peril effort majoring on pointless running about, black-hearted blaggards, cut-glass accents and lots and lots of speedboats. Because Southern TV owned one. Dozens and dozens of episodes made, all basically the same, involving self-titled band of teens “phoned up” by – ha! – MI5/6 whenever they cocked up and needed some kids to do their jobs for them. Shifty shenanigans in the shire counties ensued, initially involving pissed off Nazi called von Gelb (GEOFFREY TOONE) who still thought there was a war on. A deserted railway station usually turned up once a week, as did an appearance from the local historical re-enactment society. “Freewheelers” themselves went through a number of line-ups a la BLUE PETER, baton being handed between, variously, BILL COWAN, CHRIS “NOT THAT ONE” KELLY, ADRIAN WRIGHT, WENDY “WHO” PADBURY and other suspiciously-grown up looking types.

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Dustbinmen, The

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PROTO-ON THE BUSES rubbish (literally) comedy penned by JACK “STREET” ROSENTHAL. BRYAN PRINGLE, TREVOR “MR. LUCAS” BANNISTER and BRIAN “BRIAN WILDE” WILDE were there, with stupid nicknames aplenty (eg. Bloody Delilah).

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Hector’s House

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DUBBED DOPEY Gallic glove puppetry with great big silly/clever/sad old Hector (flop-eared dog), ZaZa his live-in cat and Mrs Kiki the ladder-climbing frog from next door, whose main role was to pass less than useful comments on the activities of her neighbours. Much moral-teaching mayhem for five minutes a throw. Less than thrilling.

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How We Used To Live

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NEVER THOUGHT it ran this long, did you? A Yorkshire schools’ morning stalwart, this historical programme was initially a fairly strightforward lecturey affair, presented in the first instance by JESS YATES of all folk. In ’69 the familiar, semi-dramatised tales of ordinary folk format, with a splash of compare-and-contrast class consciousness thrown in (beginning with a “look back into the past comparing the life of a chimney sweep boy with that of a little girl in one of the comfortable houses in which he works”), was in place, doled out in weekly portions to inattentive primary school classes the land over. The Victorian era was heavily mined at first, then in ’76 came a wartime family saga. In 1978 the scene shifted to the time of the General Strike. By ’79 it was back to the Victoriana, with a clearly delineated 1874-1887 period. 1984 brought the well-remembered 1902-1926 series detailing the antics of the rich mill-owners the Holroyds and the poor Selbys. Each episode contained a section based around newsreel footage when the plot flagged. Wistful oom-pah-pah-pah wandering theme etched indeliby into the ear drums of a generation.

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Herbs, The

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SUBLIME SONG-ORIENTED stop motion from PADDINGTON/WOMBLES stable. All your commonplace domestic herbs in ornate secret allotment personified as people or animals. From the top: Parsley the Lion, Dill the Dog, Bayleaf the Gardener, Constable Knapweed, Lord Basil, Lady Rosemary, Sage the Owl, Tarragon the Dragon, an Onion teaching a load of Chives, Pashana Bedi the snake-charmer, and Belladonna. Dill and Parsley undoubtedly the stars, the latter gaining his own MAN ABOUT THE HOUSE/ROBIN’S NEST-style spin off affair, THE ADVENTURES OF PARSLEY.

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Father, Dear Father

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MIDDLE CLASS MITHERING from put-upon pater PATRICK CARGILL, camp old duffer novelist always in a flap, who passed through life with a literary agent called Georgie and two blonde daughters, Anna (NATASHA PYNE) and Karen (ANN HOLLOWAY), both helpless rich. Tons of guest stars also showed up, including DONALD SINDEN (inevitably), JUNE WHITFIELD (delightfully), LESLIE PHILLIPS (smarmily), RICHARD O’SULLIVAN (caddishly) and HUGH PADDICK (hopelessly).

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Do Not Adjust Your Set

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TOP NOTCH TEETH-CUTTING playground for Messrs IDLE, JONES and PALIN, with DAVID JASON and DENISE COFFEY along for the ride. Ostensibly for kids, but grown-ups supposedly left work early to catch it. BONZO DOG DOO DAH BAND looked in.

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