VARIOUSLY MONIKERED capers of orange, verbally-challenged, water pistol-toting magic bear-cum-hand puppet possessed by extreme powers of endurance. First “helper” was crotchety old HARRY CORBETT (who’d bought the thing from a Blackpool pier for two shillings), making up a mess of fun on scratchy old black’n’white Beeb in the fifties, usually involving flour. Lots of flour. Thence appeared buffoonish second banana Sweep, grey dog who squeaked, and usually prime victim of slapstick shenanigans. Also fond of singing, which involved tuneless squeaking and, crucially, sticking out his paws to indicate his depth of feeling. (We’ve always admired Sweep’s patience as it must be hard going through life having your every utterence repeated back to you as a question.) Next up were Kipper the cat, Butch the dog and Ramsbottom the snake, all of which were crap and were accordingly forgotten about. Then after much deliberation by BBC chiefs, Sooty was allowed to have a talking panda girlfriend, Soo, so long as there was no onscreen hanky-panky and she did all the housework. When Harry said “Bye bye, everybody, bye bye!” for the last time he handed the whole thing over to son MATTHEW, whose main claim to fame up to that point was founder membership of the RAINBOW Rod, Jane and… triumvirate. Took the whole shebang to Thames, with radical format shift, chiefly involving a pop group (inevitably). Then it changed again, majoring on the country homestead adventures of Matthew and friends, with bizarre bathroom scenes a highlight. Travels in the Sootymobile followed suit, and you even got to see Sooty’s legs now. Top surreal moment was guest appearance by Iron Maiden drummer NICKO McBAIN, who taught Sweep how to wield the sticks. Then Matthew sold the whole lot for £1.4m in 1996, and the thing became a dreadful nostalgia industry pimping ground.
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Creamguide's Pick of the Day
A lot’s been said about Hugh Carleton Greene’s reign as Director General and he certainly did plenty of great things, though in many ways he only had himself to blame in his battles with Mary Whitehouse because he did sometimes seem to go out of his way to wind her up, and he wasn’t entirely the great liberal as he refused to let That Was The Week That Was go out in the same year as the General Election. Certainly more good than bad, though, and in the next episode of this repeated series he’s the focus alongside his commissions like The Wednesday Play.
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Points of View
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