DECADE-ENHANCING COFFEE table staple by SUE TOWNSEND adapted reasonably, if rather needlessly, for the screen and starring GIAN SAMMARCO as the spotty, ‘thing’-obsessed adolescent nerd misunderstood by his parents, adored by his grandma and, of course, profoundly in love with Pandora, as Ian Dury’s rousing theme recited. Barely a script change, with much of it in monologue with Adrian in his bedroom, staring into the mirror while reading extracts from the diary. Beetroot-loving octogenarian bigot Bert Baxter provided a final role for BILL “ARMY GAME” FRASER, while the rest of the cast were spot on: JULIE WALTERS and STEPHEN MOORE as the hard-drinking, forever-rowing parents and BERYL REID as the thin-lipped, potty grandma. LINDSEY STAGG played Pandora, who wasn’t anywhere near as ravishable as we’d expected. Sequel THE GROWING PAINS… was also done, to lesser effect, mainly as Walters had been replaced by LULU, who just wasn’t as convincing as a woefully bad matriarch. Childbirth, running away from home, “touch her bust”, Falklands campaign maps, “we shall, we shall wear red socks”. Not at all bad. Sammarco played the character again, in all but name, in a bad run of high street bank adverts, winking at the cashier and everything. Has since vacated “public eye” radar screen.
TV CREAM SAYS: RUBBISH LATTERDAY BBC SEQUEL FOUND ADRIAN AS INCAPABLE CHEF
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It’s 33 years, almost to the week, since Kraftwerk became probably the unlikeliest act ever to appear at number one in the charts, especially as only a few years before that they were a massive novelty, appearing on Tomorrow’s World and seeming to be as far removed from pop music as you could get. By the time they got to the top slot, though, their sound had appeared frequently in the charts thanks to umpteen bands finding them a total inspiration, many of whom will talk about them on this documentary, though sadly none of the actual band will.
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