MITTEL-EUROPEAN GNOMIC adventures of Paulus, who lived in a tree trunk, resembled Popeye in red dungarees, and was menaced by Eucalypta the witch. Assorted examples of moth-eaten taxidermy served duty as his woodland associates. Imported and translated (to say nothing of dubbed with sub-Goon Show voices) from the Dutch, specifically the pen of Jean Dulieu, who not only created and wrote the long-running cartoon strip on which this was based, but made and manipulated all the puppets himself. As a result… Christ, the thing’s hideous. Misshapen fragments of fowl and sightless lumps of Plaster of Paris move about with disconcertingly jerky motion, making the show’s rather routine “bad witch gets foiled by ace chums” plots appear sinister and claustrophobic, scarring many a child’s psyche in ways Bagpuss could never dream of. The theme’s lyrics (sung by the upper registers of a plummy children’s choir) are the easiest part: “Let’s take a holiday, there’s a little wood where we can stay/Paulus, the little wood gnome welcomes you to his home/Crackers and Hoppy are there/Hoo-Roo and the Bear/Snatch, Bristles and Gregory too/They’re waiting all for you/Something’s brewing, that’s quite plain/The witches cauldron’s boiling again/Paulus, you’d better take care/She’s out to get you/She’s up to get you/She’s out to get you, beware!” Indeed.
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Ian Levine’s back on the telly! But don’t worry, he’s not getting angry about missing episodes but talking about his other specialist subject. Northern Soul has to be one of the most exciting of all genres and the culture behind it is absolutely fascinating, with fans dancing for hours on end and many of the stars behind its biggest records being rescued from total obscurity.
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Points of View
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